Editorial Reviews. Review. The Walking Dead is all about the living, the people who struggle to retain their humanity in the face of the unspeakable. So what. The Walking Dead Compendium Vol. 2 - Kindle edition download now with 1-Click ®. Promotions Book 2 of 3 in The Walking Dead (Omnibuses) (3 Book Series). The Walking Dead: Compendium 1 - Ebook written by Robert Kirkman. Read this book using Google Play Books app on your PC, android, iOS devices.
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With The Walking Dead #, this compendium features more than one P.S. Διάβασα το βιβλίο σε ebook κάνοντας χρήση του feature "Guided View" της. Online PDF The Walking Dead Compendium Volume 1, Read PDF The Walking Dead Compendium Volume 1, Full PDF The Walking Dead Compendium. Apr 21, The Walking Dead Compendium Vol. 1 - 3 () FREE Comics Download on CBR CBZ Format. Download FREE DC, Marvel, Image.
But a few things include: No Darryl. Tyrese has a Originally read in early Tyrese has a daughter, not a sister. Hershel's personality is quite different. Some characters live a lot longer, others die much sooner.
So if you have seen the series and are thinking that since you have, there is no need to read this, then you are very wrong. Although Rick, Carl ans Glenn are probably the most stable of all characters. The beginning is basically the same but it does take some different routes and the focus is sometimes different. I loved comparing the two. Some of my favorites here I don't like in the tv version For example I love Andrea in the comics but nearly despise her in the series-although I do like the actress.
But bottom line, there is a lot that can be new. This gives up the first 48 volumes of the comic series You can read this compendium or just read them one at a time or there are in-between sized volumes to read. It is a very in-depth series that is worth taking your time through it. Lots of small details in the art especially.
This series is zombie fan MUST! Mar 18, Yodamom rated it it was amazing Shelves: I am a fan of the show, a serious fan. I'm not a big fan of many comics so I went for the novels on Woodbury and the Gov.
Oh my, if you haven't read this get to them, fast. I finished those 6 books quickly so time to try the graphic. I should have known these aren't a best seller for nothing. I am now officially a Robert Kirkman fan. This is what a zombie book should be, gross, bloody, gore plus I am a fan of the show, a serious fan.
This is what a zombie book should be, gross, bloody, gore plus and full of heart stoping moments. The illustrations are wonderfully detailed I spent time just looking at pages drawn with intricate parts, amazing. I can't tell you anything about the deaths the, back stabbing the love, and torture that would ruin it.
These semi follow the TV series, there are differences that will surprise. Read it May 26, Asghar Abbas rated it it was amazing. Heck yeah, this will get you in the mood. Lovely corpses, all those bones, that skull, mermaid skeletons and skeletal trees. All the cranium juice for you to drink, delicious.
What I am saying is, I loved this huge ass volume. It was everything I expected it to be and more. Everything I look for in a source material. This graphic novel has eluded me for so long, I've been meaning to read it for such a long time, so this felt like homecoming to me.
In more ways than one. This also gave a nice not Heck yeah, this will get you in the mood. This also gave a nice not so little tangible form to a beloved show, an event really, that I love watching with my other brother. Makes me happy. All the images have left me feeling rather hungry though, so succulent and titillating, yum. So, I am gonna go to this restaurant on the waterfront here, and order a zombie drink.
See ya. And of course, it will always be about that one Capistrano Birds song. This volume is so good that Daryl's absence wasn't even conspicuous, even though I missed his presence. I have always been a huge fan of the show, but this volume it's badass. The evolution of Rick and his group is always interesting, a bit contrasting from the show, the differences are subtle and constant but they are there.
The group is more vulnerable in the comics, they are just trying to get by without attracting any undue attention from the real threat ; other survivors. When they fight back, it is only because they are pushed into a corner and have no choice. And they are not even good at it, not really, even Rick.
Only Andrea is a skilled kickass warrior here. Sure, Rick does what is necessary, always making the hard decisions. He often times does the unthinkable precisely because he's thinking clearly. But he is less godlike, and have zero messiah complex. While his TV counter part is an absolutist, which translates well on the screen.
But here, the more humane Rick is more suited for this settings. Both worlds are ugly, but in the comic books, Rick Grimes doesn't have to be. One of the more startling changes were Dale and Andrea thing, she's way much hotter here, and what she has with Dale is not platonic, not by a long stretch. Not an ageist, just something I was not expecting at all, due to how in the show, they have this emotional connection, physical is always better is what I always say.
The key difference would that Rick and his group not only adapted in the show but thrived in their bleak environment. All in all, the comic books are great, and the way they handled the Governor's storyline gives me hope that the Negan chapters will be great.
Because let's face it, the show is stale now and they have dropped the Negan's storyline ball or bat. Oh, and Glen and Maggie are still the sweetest thang, even here.
Dec 26, Brad Carl rated it it was amazing. While reading, you really won't know for sure what's coming next even if you've watched the show, to date. These books aren't cheap, but they are worth the price of entertainment and insight into the TV series.
Jan 04, Gary Butler rated it it was amazing Shelves: Number 99 out of on my all time book list. Follow the link below to see my video review: View 1 comment. Dec 18, Chris rated it it was amazing Shelves: Zombies are boring. I said it. And I'm not ashamed. They are, though. Zombies have no real motivation, they have no goals other than to kill all humans.
They are mindless, a kind of twisted force of nature whose great terror lies in their sheer numbers and their unstoppability. As a concept , zombies are interesting, and as a symbol or a metaphor there's a lot you can do with them, but the zombies themselves are kind of dull. They lurch about, slowly decaying, looking for people to devour. N Zombies are boring. No one ever made a best-selling book or a hit movie with a zombie protagonist. The dead have risen and a small band of living survivors tries to find safety in a world that is actively trying to kill them.
That's it. Sure, the details may vary - fast zombies or slow ones, a cure or no cure, they eat brains or they'll eat anything, trapped in a mall or a farmhouse - but the foundation of the story is the same, and woe betide the writer who strays too far from the formula. Writing a zombie story means agreeing to adhere to a set of predetermined set of rules, which allow only a little room for straying.
So what is it that makes zombie stories so popular? It certainly isn't because of the zombies, although it is always fun to see the special effects improve. We read and watch zombie stories because we love the survivors , and it is they who make or break a zombie story. The more closely we can identify or sympathize with a survivor, the more interesting and horrifying the story becomes for us.
They are a great demonstration of the variety in the human condition, and illuminate new and interesting aspects of humanity every time. In this case, we are given Rick Grimes as our protagonist, a police officer from a small town in Kentucky who gets shot on duty and wakes up a month later in the hospital to find the world has been given over to the dead.
As he looks for his wife and son, Rick finds himself leading a band of survivors in their search for a place of safety away from both the dead who wish to devour them and the living who wish to kill them.
What makes this a really fun - and terrifying - read is that Kirkman carefully paces the plot so that we never really get much time to rest. A pattern quickly starts to emerge in the story, with Rick and his people finding safety, a kind of equilibrium between running for their lives and resting, only to have that equilibrium disrupted.
Each time the interval gets longer and longer, both in terms of page count and story-time, but each time you know what's coming. The hardest moments are the most peaceful ones, when they have found a refuge from the horrors of the world because you know it isn't going to last, and you know that when the balance is finally undone, it's going to be worse than before. Kirkman uses this pattern and this expectation to his advantage, creating a tight and tense narrative. He also provides us with a look at some of the ethical problems that arise from a world where the dead outnumber the living.
In nearly every zombie story ever written, the living immediately start killing the zombies, but is that the right choice to make? We don't know all the facts. We don't know what caused this outbreak, whether it can be cured, or even whether the people affected might just get better. We just start taking head shots in ignorance, but might it not be worth it to try and learn something about these "monsters?
What kind of person or people should run the survivors' societies? Is this an opportunity to remake civilization, or should the old ways be adhered to? How much leeway to we have in restarting the world, and what will that look like in the end?
The characters in this story have to deal with how to define a family when one's partner or parents or children could die at any time. They have a chance to redefine what is lawful and illegal, to toy with the notions of what is right and wrong, and to re-evaluate the role religion plays in their lives. It's a chance to rebuild the world from scratch, and the characters in this story test those limits in interesting and sometimes unsettling ways.
And that's assuming that the living will actually survive and thrive in a zombified world. This is a world where death is always only moments away. It is only a matter of time before the living survivors join the ranks of the undead, and the awareness of that fact is the classic existential puzzle with a little extra twist to it: One of the more heartbreaking moments is when one character gets killed, and Rick has to break the news to his young son, Carl.
When he asks his son if he is upset, Carl replies, "No. People die, dad. It happens all the time. I'll miss [him] Everyone will.
The characters in this story make hard choices and sometimes do terrible things in the name of survival. But, with very few exceptions, there are few characters that we cannot truly come to understand and identify with. Their decisions and their reactions make them richer, more interesting, which is what truly makes for a fascinating and engaging story.
The zombies are really incidental to all that. As this is a comic series, I would be remiss if I didn't mention the art, which is overall quite good. There were a few times when I had trouble telling some characters apart, but the high rate of attrition generally took care of that problem. The detail in the artwork is very impressive, though I can imagine there were more than a few times that Charlie Adlard cursed Robert Kirkman for setting a large part of the series in a locale with a prominent chain-link fence that couldn't easily be ignored.
As this is a horror comic, the art is sometimes horrifying, very graphic and quite satisfying without being gratuitous. Well, mostly without being gratuitous It's a really excellent book, though I do have one caveat if you're planning to download the compendium edition: This is one of the densest books I've ever read, packing nearly five pounds of book into less physical volume  than the last hardcover installment of The Dark Tower , a fairly hefty book.
I think the ink may contain uranium or something. So, take measures to prevent back injury and hernias when you read this and you'll be just fine. Many thanks to my brother Michael for knowing I would enjoy this, and I look forward to watching the AMC television adaptation. I just don't know what anyone's thinking. To me, that's scarier than any half-rotten ghoul trying to eat my flesh. Oct 22, Lolly's Library rated it it was amazing Recommends it for: Anyone with solid upper body strength.
I was going to write reviews of the first three volumes of this series, but I decided to save my creative juices and they are so little for the compendium.
So here we go First off, a general overview: The story concerns a local cop, Rick, who wakes in the hospital to discover the world has gone to hell.
All the people have been turned into the walking dead. I know, overtones of 28 Days Later , but go with it. We then follow him as he struggles to find out what has happened, where all the zo I was going to write reviews of the first three volumes of this series, but I decided to save my creative juices and they are so little for the compendium.
We then follow him as he struggles to find out what has happened, where all the zombies came from, and if his wife and child are still alive. In later chapters volumes , Rick gathers a rag-tag group of fellow survivors and we are further drawn into their story of how to survive in a world gone mad. As Simon Pegg pointed out in his afterward to Volume One, reading Robert Kirkman's tale makes you start to question yourself: Would I be able to survive a zombie apocalypse?
Would I be willing to do whatever it takes, even if it reduces me to a savage, to protect those I love? Heady stuff. Now we come to the most controversial aspect of the series, the artwork. His artwork gave life to the series, giving us clear and beautiful images, done in a simple yet at the same time intricate style. Every character was unique; the zombies were disgusting in their realism; light and shadow had the starkness of a well-made black-and-white horror film.
In short, Moore set the bar high, a bar which the next illustrator, Charlie Adlard, fell quite short of. I still don't know why Moore left the project, but I truly wish he hadn't. Once Adlard steps in, the drawings go to hell. Everything's rougher, without the grace of lines Moore had; characters are so poorly drawn that it's hard to tell them apart, which goes for both male and female characters. The shading is the worst, though; it's so heavy-handed that it almost feels claustrophobic and while I can appreciate that one might want a claustrophobic feeling for a horror comic, you want that feeling to come from actions and situations, not from a lack of detail in your scene.
At times, panels were so dark it was hard to tell what the action of the character was. I'm used to seeing excessively dark lighting in movies, in fact I've come to expect it in horror movies, the kind of lighting where you can see some movement, but have no clue what's really going on. I don't expect it in graphic novels and, in fact, if you'd asked me, I wouldn't have known that excessive darkness was even possible in the realm of drawing.
Well, other than taking a panel and coloring it in with a black marker. However, despite my poor opinion of Adlard's drawings, I have to be fair and say that they do get a bit better in later volumes, as he gets more sure of his characters and the storyline. The storytelling helped come to grips with the post-Moore artwork. To be brutally honest, if this were not a graphic novel, I'd have to wonder how Kirkman managed to get published.
Taken alone, the story is rather poor, especially the dialog, which can in turns be idiotic, banal, cliched, overwrought, nonsensical, and occasionally just plain painful to read. However, this isn't as bad as it sounds. First off, the graphics add depth to the ordinary writing, propelling it along when it might've stuttered out if it were merely a print novel. And secondly, the bad writing has actually captured the reality of the situation.
After all, people say stupid things; they stutter, they get emotional, they put their foot in their mouth; they're inelegant in their conversations. In a zombie apocalypse, who has access to a speech writer, someone to whom they can turn to coherently and eloquently express their every thought? No one. Hell, only the slick bastards up in Washington have speech writers and they still manage to generate sound bites of them saying something moronic.
Having awkward and not-well-written dialog gives The Walking Dead a depth and sense of reality not encountered in many other graphic novels, which, despite the later artwork, earns the Compendium 5-stars in my book. Many people are put off by the Compendium, complaining about its lack of portability. Weighing in at nearly five pounds, they are right, it's not a book you can read on the commuter train into work.
However, it's not put me off downloading Volume 2 when it comes out. Not only will a matched set help me work out my biceps, when the zombie apocalypse does come, their heft will make them ideal weapons. I'm sure they'll be able to take off a rotting zombie skull or two, making them not only informative but useful as well.
Dec 17, Johann jobis89 rated it it was amazing. As a huge fan of the show, I decided I wanted to read the Walking Dead comics and this was actually my first real encounter with comic books. These comics are absolutely awesome!! This compendium covers issues , which is also equivalent to the first 8 regular Trade Paperbacks of the comic book series. I knew that the show had deviated from the comics in a number of ways, but there were FAR more differences than I anticipated. Lots of new characters, characters having storylines that were very As a huge fan of the show, I decided I wanted to read the Walking Dead comics and this was actually my first real encounter with comic books.
Lots of new characters, characters having storylines that were very different from the show, characters having storylines that other characters in the show had The list goes on. So fast-moving, characters dying within pages of each other. The storyline moves at a relentless pace, it is so easy to get caught up in reading without realizing how much time is passing by.
My only issue is that when characters die in the comics, I don't really feel that much of an emotional impact, whereas with the show, I sometimes needed counselling after certain characters' deaths. I think it's maybe because comics are such a fun, quick read, that you don't have the same amount of time to get emotionally attached. The illustrations are insane. I love how quickly you can recognize each character just by their characteristic traits. I was deliberating over whether or not I want to read beyond where the TV show is, but given how different the comics are, I might just read ahead.
This compendium finishes with the wrap-up of the Governor's storyline, so there's still a bit to go before I reach the current timeline in the show. Luckily my brother has Compendium two just waiting for me View 2 comments.
Dec 13, Crystal Starr Light rated it liked it Shelves: Bullet Review: This compendium is a monster. Because the compendium is HUGE. Seriously, I was afraid I'd break a limb just dropping it from the top of the bed to the floor. It's heavy, it's awkward to hold particularly if you are the type to take it to bed to read before going to sleep , it's non-transportable good LUCK tak Bullet Review: It's heavy, it's awkward to hold particularly if you are the type to take it to bed to read before going to sleep , it's non-transportable good LUCK taking this on an airplane!
I honestly have mixed feelings about this. There were so many characters, cardboard cutouts, that faded in and out of the story. I really don't like Rick. Really don't like him.
If he ain't a Marty Stu, I don't know what is! Glen was great before he got all snuggles and bubbles with Maggie. Cue projectile vomit. Also, the book tends to be more than a bit sexist, particularly in the beginning as all the wimminfolk are content to sit around the camp and watch da bebies while the Strong Manly Men seek out adventure. And, just curious, but does anyone have a lick of common sense in this book?
OK, fine, cool. Just checkin'. I almost wanted some narration text, just so I didn't have to listen to Rick give another of his Protagonist Sermons. So yeah, we ain't done yet, baby!! View all 14 comments. Jan 19, Joshua Batson rated it it was amazing. I took the all to trite path of tv then book. The series was amazing and I couldn't put the story on hold while they filmed the next season so I picked up my first comic book since pubescence.
First off the two are not the same. They are similar in a few keeps points and milestones but the events and characters diverge greatly from the separate story lines. Thankfully the one thing the televised version got right was that the Zombies are only a minor part of the story. The writing focuses more o I took the all to trite path of tv then book.
The writing focuses more on the characters and how they react to the world than the world itself. The dark elements really dark are mostly born from the monsters that the characters become, not the monsters that might be eating their mother.
Even if you don't like graphic novels, even if you think zombies only matter in the bible; just read it. The emotion and drama that unfolds in each character is written better than most any other "legitimate" piece of literature and you won't regret the time you've spent following a group a zombie survivors.
Scored this sucker today for cheap. Hells yeah. Finally I can start reading this thing. May 12, Meghan rated it really liked it. A comic book? Am I a prepubescent 13 year old boy? Show is great which was also recommended from above mentioned friend and pure realization that I need to step out of my comfort zone when it comes to entertainment.
You mean I can't read dirty romance novels and period pieces for life? This was the only comic book I have ever read before. AMC based a show which is fantastic off the series, so I had a decent base knowledge of the plot to the story prior to opening the book. I'll admit, I was taken aback of how large the book was and simultaneously looking at photos and words seemed daunting at first.
After the first chapter, however, I felt like a super reader, as I read half of the book in one sitting. It is that good. And yes, it is that quick of a read. Overall the book was great. There was a lot of sex, cursing, and actions that should test one's morals. The book was not linear, which I found to be an added bonus.
I get bored easily when it comes to novels, so the frequent change in scenes were pleasant to my reading experience. The plot differed from the show, at least to my knowledge so far. If you're reading this, don't spoil what happens on the show.
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Continue the series. See more. The Walking Dead: Compendium 2. Robert Kirkman. Returning with the second eight volumes of the fan-favorite, New York Times bestseller series, The Walking Dead, collected into one massive paperback collection! In a world ruled by the dead, we are finally forced to finally start living. Collects The Walking Dead Miles Behind Us.
Vol 2, This volume follows our band of survivors on their tragic journey in search of shelter. Characters live and die as they brave a treacherous landscape littered with packs of the walking dead.
Collects issues Rick Grimes's dream of rebuilding civilization is tested as the people of Alexandria come into contact with other communities that have developed their own methods of survival.
Safety Behind Bars. Vol 3, An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. On Atlanta, he finds Glenn, an Asian-American young man, who explains him how the world works now.
What the hell are we going to do now? However, that seems to be an impossible goal since there are zombies everywhere! Any potential paradise reveals a hidden biting snake. In our society, you never would want to go prison, but in an apocalyptical dystopia plagued with zombies, a prison would look like the logical choice.
A shocking revelation will expose a new facet about their life-and-death condition.