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He handled it like a padtorelas. Lorem ipsum dolor sit amet, consetetur sadip elitr, sed diam nonumy eirmod. Perhaps the dona herself, wearied by the monotonous cantigas de amor, had pointed to the songs of the peasant women, and the form of these cantigas de amigo was a compromise between the Provencal cantiga de meestria and the popular cantiga de refran.

The peasant woman composed her own songs, and the poet places his song on the lips of his love: Poetical shepherdesses sing these cantigas de amigo ; the fair dona sings them as she sits spinning C. The old Poetica Both were artificial forms, but the latter are clearly more popular in theme the amiga waiting and wailing for her lover , and in treatment sometimes convey a real intensity of feeling.

The daughter is kept in the house: She reproaches and entreats her mother, who answers her as choir to choir ; she bewails her lot to her friends, or to her sister. She is dying of love and begs her mother to tell her lover.

Her mother and lover are reconciled. Her lover is false and fails to meet her at the trysted hour. She waits for him in vain, and her mother comforts her in her festive laughter poems: San- tiUana's mansohre is, it seems, a misprint for mordobre. Sin lai, sin deslai, sin cor, sin descor. Sin dobre, mansobre, sensilla o menor. Sin encadenado, dexar o prender. Par Deus, se era, se ora chegasse Con el mui leda seria.

She pines and dies of love while her amigo is away- serving the king in battle or en cas' del ret. The third section of the Cancioneiro da Vaticana does not sin by monotony.

We may divide Pope's hne, since if the cantigas de amor are ' correctly cold ' many of the satiric poems are ' regularly low '.

In these verses, containing violent invec- tive and abuse [cantigas de maldizer or more covert sarcasm and ridicule [cantigas d'escarnho , the themes are often scandalous, the language ribald and unseemly. They were written with great zest, although without the fiery indignation of the Proven- gal and Catalan sirventeses. They are concerned with persons: Some of these poems should never have been written or printed, but many of them give a lively idea of the society of that time.

We read of the excellent capon, kid, and pork provided by the king for dinner ; of the fair malmaridada, married or rather sold by her parents ; of the impoverished lady, one of those for whom later Nun' Alvarez provided ; of the poet pining in exile not of love but hunger ; of the lame lawyer, the unjust ' g'coi C.

Carolina Michaelis de Vascon- cellos proposes quifa cf. These cantigas d'escarnho e de maldizer were a powerful instrument of satire from which there was no escape. A hapless infangon, slovenly in his ways, drew down upon himself the wit of D. Lopo Diaz, who in a series of eleven songs C, V. But the implacable D. Lopo forthwith indited a new song: But the majority of these verses are not so innocently merry.

Many of the poets of the Cancioneiros wrote in all three kinds: There is life and poetical feeling as well as facility of technique in his poems. Pero Garcia de Burgos fl. He shows himself capable of deep feeling in his love songs, but speaks with two voices, descending to sad depths in his poems of invective.

His contemporary, the segrel Pero da Ponte, is also an accomplished poet of love, in the even flow of his verse far more accomplished than Pero Garcia, and in his satirical poems wittier and, as a rule, more moderate. He placed his poetical gift at the service of kings to sing their praises for hire, and celebrated San Fernando's conquest of Seville in ; Seville, of which, he says, ' none can adequately tell the praises '. To satire almost exclusively the powerful courtier of King Dinis' reign, Stevam Guarda, devoted his not inconsiderable talent, and the segrel Pedr' Amigo de Sevilha fl.

Joan Garcia de Guilhade. D 2 52 I numerous cantigas de amigo. Martin Soarez first half 13th c , born at Riba de Lima, and considered the best trobador of his time by those who could not appreciate the charm of the indigenous poetry , wrote no cossante nor cantiga de amigo, and in his satirical poems displayed a contemptuous insolence — towards those whom he regarded as his inferiors in lineage or talent — which places him in no attractive light.

But if his poems lack the variety of those of King Dinis, which they almost rival in number, they are nevertheless marked not only by harmony but by many a touch of real life. Of most of the other singers we have far fewer poems.

Joan de Aboim c. There is an engaging grace and spirit in the cantigas de amigo written in dancing rhythm by Fernan Rodriguez de Calheiros fl. Joan Lopez de Ulhoa, their contemporary.

Neither of these, however, possessed the poetical genius and versatility of the priest of Santiago, Airas Nunez second half ' A large number of cantigas by the same hand would emphasize the monotony of the kind and provide an unwelcome mirror for contemporary bards. Of Roy Queimado fl.

Perdre 3 Kilos En 2 Semaines Sans Régime 60

He wrote apastorela in the manner of the trouveres, and combined it with some of the most exquisite specimens of the indigenous poetry. Another of his poems C. Great importance has been attached to another C. Carolina Michaelis de Vasconcellos has shown that it was written to commemorate a contemporary event, probably in The Cancioneiros contain poems by high and low, prince and, one would fain say, peasant, noble trobador and humble jogral, soldiers and civilians, priests and laymen, singers of Galicia, Portugal, and Spain, but more especially of Galicia and North Portugal.

As in the case of C. It tells of a girl forced against her will to enter a convent, and who says to her lover: Its author was the fidalgo ' See p. An incidental interest belongs to this poem of eighteen dodecasyllabic lines from the fact that in C. Rodrig' Eanez de Vasconcellos, one of the pre-Dionysian poets. But indeed no further proofs are needed to show that, even had King Dinis never existed, the contents of the early Portuguese Cancioneiros would have been remarkable for their variety and beauty.

If he imitated Alfonso X in his love of literature, he showed him- self a far abler and firmer sovereign, being more like a rock than like the sea, to which the poet compared Alfonso. Far- sighted in the conception of his plans and vigorous in their execution, the Rei Lavrador, whom Dante mentions, though not by name: Among his great and abiding services to his country was the foundation of the first Portuguese University in the year , and in the same spirit he ordered the translation of many notable books from the Spanish, Latin, and Arabic into Portuguese prose, including the celebrated works of the Learned King, so that it is truer of prose than of poetry to say that he inaugurated a golden age.

But he also excelled as a poet, d'amor trobador. It had no doubt been part of his education to write convention- ally in the Provengal manner, but his skill in versification, remarkable even in an age in which Portuguese poetry had attained exceptional proficiency in technique, would have ' He thus overlapped Dante's life by four years at either end.

Craveiro, Compendia , cap. Diniz trouxe a idade de ouro a Portugal. It was owing to the personal encouragement of Dinis that the waning star of both Provencal and indigenous poetry continued to shine in Portugal for another half-century. The grandson of Alfonso X was the last hope of the trobadores and jograes of the Peninsula.

From Leon and Castille and Aragon they came to reap an aftermath of song and panos at his Court, and after his death remained silent or unpaid C. The poems of King Dinis are not only more numerous but far more various than those of any other trobador, with the exception of Alfonso X, and it may perhaps be doubted whether they are all the work of his own hand. In poetry's old age he might well wish to collect speci- mens of various kinds for his Livro de Trovas.

Among them are some colour- less cantigas de amor and others more individual in tone, pastorelas C. Amigo faW e desleal, and C. Ay flores, ay flores do verde pino C.

Dos Pecados da Ohra, These include dar aos jograaees. Nunez de Learn translates joglar as truao Vede-la frol do pinho — Valha Deus, and the hailada-cossante C. Mia madre velida, Voum' a la bailia Do amor. If the king wrote these cossantes he must be reckoned not only as a musical and skilful versifier but as a great poet.

And certainly, at least, his graciosas e dulces palavras well earned him the reputation of being not only the best king but the best poet of his time in the Peninsula. No trace or ' Cronica del Rei D. This interesting passage is not included in those quoted in C. It does not imply that the poems were exclusively religious. Can the book three or four fingers in height have been the Cane, da Ajuda millimetres from which a section of sacred poems may have been torn? If so the letters Rey Dd Denis C.

At the Escorial he also examined an original manuscript of St. His concise definition of a bore: Of his illegitimate sons, besides D.

Pedro, Conde de Barcellos, long had a reputation as a poet almost equal to that of his father, owing to the association of his name with the Cancioneiro ; but of his ten poems six C.

It was as a prose-writer and editor of the Livro de Linhagens that he worthily carried on the literary tradition of King Dinis. The next two centuries redressed the balance in the favour of prose. The victory of Aljubarrota made it possible to carry on the national work begun by King Dinis — the preparation of Portugal's resources for a high destiny. In this constructive process literature was not forgotten, and indeed its deliberate encouragement, as though it were an industry or a pine-forest, may account for the fact that it consisted mainly of prose — chronicles, numerous translations from Latin, Spanish, and other languages, works of religious or practical import.

Adolpho Coelho, A Lingua Portugueza , p. King Dinis had encouraged translation into Portuguese, and among other works his grandfather King Alfonso the Learned's Cronica General was translated by his order. The only edition that we have, Historia Geral de Hespanha , is cut short in the reign of King Ramiro cap. The first '0' of the preface in the manuscript contains the king in purple robe and crown of gold, pen in hand, with a book before him. The style is primitive, often a succes- sion of short sentences beginning with ' And '.

Thus we have thirteenth- or fourteenth-century fragments of the rules of S. Bento, Fragmentos de uma versao antiga da regra de S. Bento, with its traces of a Latin original e. The translation is close ; the style foreshadows that of the Leal Conselheiro. The importance of these and other fragmentary versions of the Bible, in which there can rarely be a doubt as to the meaning of the words, is obvious.

Extracts from the Vida de Eufrosina and the Vida de Maria Egipcia, published in by Jules Cornu from the manuscripts formerly in the Monastery of Alcobaga, now in the Torre do Tombo, show that they were written in vigorous if primitive prose 14th c. A Lenda dos Santos Barlaam e Josaphat is perhaps a little later end of the fourteenth or beginning of the fifteenth century. E persegujo as pias filhas de finees que Ihe aujd odio e o queria desherdar.

E foy CO jaasson que adusse o velloso dourado da ylha de colcos. The Vida de Santo Aleixo also exists in two codices belonging to the middle and beginning of the fifteenth century, and Dr. Esteves Pereira, who pub- lished the latter, considers that the variants point to an earlier manuscript of the beginning of the fourteenth or end of the thirteenth century.


To about the same period i4th-i5th c. Both literature and philology are interested in the early fifteenth- century work printed by, Dr. Leite de Vasconcellos from the manuscript in, the Vienna HoJ- bibliothek: The earliest entry of the Cronica Breve do Archivo Nacional is dated , and both it and the Cronicas Breves e memorias avulsas de Santa Cruz de Coimbra are laconic annals of the first kings of Portugal, a few lines covering a whole reign.

The Livro da Noa de Santa Cruz de Coimbra is an extract from the Livro das Heras of the same convent, and is, as the latter title indicates, a similar simple chronicle of events by years. From to the end they are exclusively Portuguese.

The Cronica da Ordem dos Frades Menores is a fifteenth- century Portuguese translation of a fourteenth-century Latin chronicle, and has been carefully edited by Dr. Tello 15th c , and the Vida de S. Isabel, the Queen-consort of King Dinis earlier 15th c , are ' historical ' biographies ' Cf.

Era de mil e quairocentos e quatro desoito diai do mez de Junho tremeo a terra ao serao muy rijamente e foi por espafo que disserom Pater tres vezes. Here at last was some one with will ahd power to make the dry bones live.

Of the four that have come down to us the Livro Velho is a jejune family register iith-i4th c. The manuscript of the third [0 Nobiliario do Collegia dos Nohres was bound up with the Cancioneiro da Ajuda, and together with the fourth, Nobi- liario do Conde D. Pedro, represents the lost original of the Livro de Linhagens of D.

Pedro, Conde de Barcellos - The Nobiliario do Conde has been shown by Alexandre Herculano, who printed it from the manuscript in the Torre do Tombo, to be the work of various authors extending over more than a century i3th-i4th , the Conde de Barcellos being but one of them. Pedro em sen livro is as natural as the mention of Innocencio da Silva in a later volume of his great dictionary. But it was this son of King Dinis who with infinite diligence searched for documents far and wide, had recourse to the writings of King Alfonso X and others, and spared no pains to give the work ' The Cronica Troyana, edited in by the Spanish scholar and patient investigator D.

Certainly the Livro de Linhagens is a vast catalogue of names, with at most a brief note after the name, as ' he was a good priest ' or ' a very good poet ' ; but it also gives succinct stories of the.

Kings of the Earth from Adarri, including Priam, Alexander, Julius Caesar, and the early kings of Portugal, and it contains rare but charming intervals, green oases of legend and anecdote, such as the tale of King Lear with its happy ending, or the account of King Ramiro going to see his wife, who was a captive of the Moors. Carolina Michaelis de Vasconcellos, it has rendered invaluable service in reconstructing the lives of the thirteenth-century poets. Many other allusions, both earlier and later, to the Breton cycle, the matiere de Bretagne, are to be found in early Portuguese literature: In the fourteenth century many in Portugal were baptized with the name of Lancelot, Tristan, and Percival; and Nun' Alvarez 1 chose Galahad for his model, and came as near realizing his ideal as may be given to mortal man.

In Gil Vicente's time the name Percival had already descended to the sphere of the peasants: Whether they were incorporated in the Cancioneiro from a Portuguese Tristam earlier than the Spanish version? It was but natural that a Celtic people living by the sea, delighting in vague legends and in foreign novelties, should have felt drawn towards these misty tales of love and wandering adventure, which carried them west as far as Cornwall and Ireland, and also East, through the search for the Holy Grail.

It was natural that they should undergo their influence earlier and more strongly than their more direct and more national neighbours the Castilians, whose clear, definite descriptions in the twelfth- century Poema del Cid would send those legends drifting back to the dim regions of their birth.

Even to-day connexion with and sympathy for Ireland is far commoner in Galicia than in any other part of Spain. Unhappily, most of the early Portuguese versions of the Breton legends have been lost.

The probability that these were written in Portuguese, not in Spanish, is increased by the survival of A Historia dos Cavalleiros da Mesa Redonda ,e da Demanda do Santo Graall, as yet only partially published from "the manuscript in the Vienna Hofbibliothek.

It was written probably in the fourteenth century, perhaps at the end of the thirteenth, although the Vienna manuscript is more recent and belongs to the fifteenth century, in which the work was referred to by the poet Rodriguez de la Camara. Mchaelis de Vasconcellos, Cancioneiro da Ajuda, ii. They are called lais, layx C. Traces of French remain in its prose. The only others that we have in print are the Estorea de Vespeseano and the Livro de Josep ab Arimatia, the manuscript of which was discovered in the nineteenth century in the Torre do Tombo.

This, in the same way as the Demanda do Santo Graall, is a later i6th c. It was also known formerly as Destroygam de Jerusalem. Esteves Pereira believes that the Spanish edition is a retranslation from the Portuguese text originally translated from the Spanish.

Tennyson's revival of the Arthurian legend in JEngland evoked no corresponding interest in Portugal in the nineteenth century, and the primitive and touching story as published in has left Sir Percival in the very middle of an adventure for over a generation. The descent of the Amadis romances from the noble ideal of chivalry of King Arthur's Court is obvious, but their exact pedigree, the date and nationality of the first ancestor of the Amadis who is still with us, has been the subject of some little contention.

The problem of the date and authorship has become more fascinating than the book. Champions for Spain and Portugal come forward armed for the fight: Henry Thomas holds the scales.

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