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The lists on this page are not the definitive selection of books on these subjects. I can also recommend an article on a typographic canon published years ago by Christoph Koeberlin.
I teach in Germany and expect my students read both English and German at a high level. There is no preference toward one language or another on my list. If a title has been translated from English into German, I try to mention both editions. On occasion, I have students who can also read Dutch, French, Russian, or other languages.
There are excellent resources available in those languages, but I cannot read them. My lists do not include a section for general graphic design texts, since most of my teaching is type-centric.
As should be expected, books that I do not consider to be particularly good are not on these lists. Nevertheless: lack of inclusion below is not per se the opposite of an endorsement. Los Angeles: Iconoclassics Publishing Co.
Mainz: Verlag Hermann Schmidt Also available in English and Spanish editions, from other publishers. Madrid: Tipo e Lawson, Alexander, Anatomy of a Typeface. Jaffrey, New Hampshire: David R.
Goodine Noordzij, Gerrit, Letterletter. London: Hyphen Press Also available in Dutch and French editions, from other publishers.
Osterer, Heidrun and Philipp Stamm ed. Das Gesamtwerk. Also available in English and French editions. Smeijers, Fred, Counterpunch: Making type in the 16th century, designing typefaces now. There's absolutely no indication, looking at the left side of the text, of when a new paragraph starts. If using a larger line spacing, paragraphs should have a larger space between them that is greater than the line spacing, in addition to first line indentation.
These two simple adjustments would make reading that sample a great deal easier. The purpose of the double line spacing is to allow space for comments and is a throw back to when papers would have been printed or typed out and commented on by hand, with a pencil or red pen. PDF comments do not require or occupy any space on the page.
Home Questions Tags Users Unanswered. Which fonts profit from double line spacing? Ask Question. Here is an example document. The LaTeX code which produces it is as follows: Philipp Philipp 1 7 Given it's a visual question could you attach a screenshot of the paper? Ovaryraptor I thought about that. It is an unpublished draft of an academic paper, so I cannot display it here. I prepared a LaTeX example which produced a similar result, but since I do not have the exact same Garamond font, I decided not to include it in the question.
If it is okay to use a different font than what the question is actually about, I can include it.
Ovaryraptor Since I believe that what I described in the question can still be seen in my mock-up file, I added the example. I'm confused why it looks more grey when printed. Is that standard with all printers you print from?
I was under the impression that black text always printed full black. And is that part of your problem?
Could you explain? No font benefits from double line-spacing for longer pieces of text. Scott Scott k 14 Westside Westside 8, 1 17 Sign up or log in Sign up using Google.
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