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Then, more broadly, darkness is often associated with evil and death, whereas light is often associated with goodness and life.
In this regard, the most outstanding euphemistic metaphor is the one after which the books are named: Fifty Shades of Grey, which clearly represents the twofold character of the protagonist and deals with his internal struggle between either choosing light or the world Anastasia brings to him or darkness or his sadomasochism lifestyle.
Thus, due to its pragmatic nature, this euphemistic expression can be considered either positively or negatively oriented. On the contrary, negative euphemism is employed by Christian in one of the clauses of the contract to express that he would not perform any "acts involving urination or defecation and the products thereof" James, a, p. Dysphemism As the main aim of dysphemism —as I understand it in this paper— is offending, it is odd that it occurs with a positive intention 3.
However, I consider a positive expression the way Christian defines his brother, "Elliot Manwhore Grey" James, , p.
The same happens with Anastasia's first vision about Christian's sexual preferences, which she describes as "a shit load of ideas", as in example 21 : 21 He's just given me a shit load of ideas to process and now this.
Lincoln, who she calls the "evil bitch", "the bitch-troll" and "Mrs.
Elena Bitch Troll Robinson", examples 24 , 25 and 26 : 24 I am away for two days, and he runs off to that evil bitch. Elena Bitch Troll Robinson. That's where he went. Then, regarding the first one, it only applies to Christian, considered "a good-looking son of a bitch" James, a, p.
At the beginning, after seeing Christian's playroom —a euphemistic term for it employed by himself—, Anastasia refers to it as the "Red Room of Pain" James, a, p. Regarding their sexual status, they are completely opposite; while Anastasia is a virgin, a word that Christian considers really dirty at first by their own admission James, a, p. Finally, as far as sexual variants are concerned, quasieuphemism occurs when Christian refers to the sexual act as "fuck Although in the end Anastasia recognises that she likes some of Christian's scenarios, she refers to him as a "freaky sadist or masochist", "a monster who possesses whips and chains in a special room" or "King Misfit" not with an offensive intention though, as shown in examples 27 , 28 and 29 : 27 What is the appropriate response to finding out a potential lover is a complete freaky sadist or masochist?
So their sexual relationship is equivalent to knowing each other in the "biblical sense" James, a, p. On the other hand, negative quasidysphemism is employed exclusively to deal with matters concerning romantic relationships. Thus, Christian's past, first as a submissive and then as a dominant, is labelled as his 'baggage' James, a, p. However, this device has Elena Lincoln, an older woman who sexually abused Christian in his adolescence, as its main target.
Anastasia avoids using any other —explicit dysphemistic— expressions at first by renaming her as Mrs. Robinson, sometimes Mrs. Robinson" and then she moves to a more offensive, but not too much due to its clipped nature, name describing what she did: "Mrs. Paedo", finally turning: "Mrs. Paedo Robinson" and also using the explicit dysphemism mentioned before.
Examples 30 , 31 , 32 , 33 and 34 illustrate this: 30 Mrs. Robinson was part of that lifestyle. Robinson figure. Paedo Robinson, I cannot wrap my head around her, and I don't want to. Concluding remarks Despite the above-mentioned poor literary quality of James's work, the popularity of her Fifty Shades trilogy is irrefutable.
Furthermore, her usage of language has demonstrated the two hypotheses posed at the beginning of this paper, related to the two objectives of this study. In relation to the first objective, even though the author of the novels is a woman, there are substantial differences between the language employed by the male main character, Christian Grey, and the female one, Anastasia Steele.
On the one hand, Mr. Grey uses direct and clear language even if it involves dysphemism; however, the female touch is observed when he uses phrases and sentences to reassure his female counterpart.
On the other hand, Miss Steele is more self-restrained about taboos and that is why she normally resorts to quasidysphemism, instead of direct dysphemism, and euphemism, maybe due to social conventions since women are supposed to be less coarse.
Regarding the second objective of the paper, quasieuphemism and positive dysphemism are usually employed to sexually excite or arouse their partners through more or less sexual references which contribute to set the appropriate scenario, which is known as bedroom talk or dirty talk. On the other hand, positive euphemism is the most common device in the realm of sex, especially positively oriented since, between lovers, negative intentions are odd.
Apart from lexical alternatives, adverbs, pronouns instead of nouns and clipping are effective euphemistic strategies as well as metonymy. However, it can also be seen that there is a more permissive attitude towards taboo words and expressions in relation to sex, which shows the increasing acceptance of sexual topics, even publicly, in today's society. Notas 1 This author , p. References Allan, K. Euphemism and dysphemism. Language used asshield and weapon.
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Revista Alicantina de Estudios Ingleses, 24, Bared to you. The contract even forbids Ana from touching Christian or making eye contact with him. At this point, Christian realises that Ana is a virgin and takes her virginity without making her sign the contract. The following morning, Ana and Christian again have sex. His mother arrives moments after their sexual encounter and is surprised by the meeting, having previously thought Christian was homosexual , because he was never seen with a woman.
Christian and Ana plan to meet again, and he takes Ana home, where she discovers several job offers and admits to Kate that she and Christian had sex. Over the next few days, Ana receives several packages from Christian. She and Christian email each other, with Ana teasing him and refusing to honour parts of the contract, such as only eating foods from a specific list.
Ana later meets with Christian to discuss the contract and becomes overwhelmed by the potential BDSM arrangement and the potential of having a sexual relationship with Christian that is not romantic in nature. Because of these feelings, Ana runs away from Christian and does not see him again until her college graduation, where he is a guest speaker.
Ana and Christian once again meet to further discuss the contract, and they go over Ana's hard and soft limits. Christian spanks Ana for the first time, and the experience leaves her both enticed and slightly confused. This confusion is exacerbated by Christian's lavish gifts and the fact that he brings her to meet his family.
The two continue with the arrangement without Ana's having yet signed the contract. After successfully landing a job with Seattle Independent Publishing SIP , Ana further bristles under the restrictions of the non-disclosure agreement and her complex relationship with Christian.
The tension between Ana and Christian eventually comes to a head after Ana asks Christian to punish her in order to show her how extreme a BDSM relationship with him could be. Christian fulfils Ana's request, beating her with a belt, and Ana realises they are incompatible. Devastated, she breaks up with Christian and returns to the apartment she shares with Kate.
Background and publication[ edit ] James in The Fifty Shades trilogy was developed from a Twilight fan fiction series originally titled Master of the Universe and published episodically on fan-fiction websites under the pen name "Snowqueen's Icedragon". After comments concerning the sexual nature of the material, James removed the story from the fan-fiction websites and published it on her own website, FiftyShades.
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