aracer.mobi: Indian Art (Oxford History of Art) (): Partha Mitter: Books. Masterpieces of Indian Art encompasses the vast gamut of art high-lighting the Hardcover: pages; Publisher: Roli Books; 2nd Edition. edition (February 1. This concise yet lively new survey guides the reader through years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu.
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aracer.mobi - download Masterpieces of Indian Art book online at best prices in India on aracer.mobi Read Masterpieces of Indian Art book reviews & author details and. Shop for a variety of Books on Indian Art & Architecture. Our exhaustive collection includes books on Buddhist Art, Indian Folk Art, Iconography & more!. Discover librarian-selected research resources on Indian Art from the Questia online library, including full-text online books, academic journals, magazines.
Additionally, the terracotta figurines included cows, bears, monkeys, and dogs.
Much the most common form of figurative art found is small carved seals. Thousands of steatite seals have been recovered, and their physical character is fairly consistent. In most cases they have a pierced boss at the back to accommodate a cord for handling or for use as personal adornment.
Seals have been found at Mohenjo-Daro depicting a figure standing on its head, and another, on the Pashupati Seal , sitting cross-legged in a yoga -like pose.
This figure has been variously identified.
Sir John Marshall identified a resemblance to the Hindu god, Shiva. Part bull, part zebra, with a majestic horn, it has been a source of speculation.
As yet, there is insufficient evidence to substantiate claims that the image had religious or cultist significance, but the prevalence of the image raises the question of whether or not the animals in images of the IVC are religious symbols. It is thought that this partly reflects the use of perishable organic materials such as wood. Single Lion capital at Vaishali. The north Indian Maurya Empire flourished from BCE to BCE, and at its maximum extent controlled all of the sub-continent except the extreme south as well as influences from Indian ancient traditions, and Ancient Persia ,  as shown by the Pataliputra capital.
The emperor Ashoka , who died in BCE, adopted Buddhism about half-way through his year reign, and patronized several large stupas at key sites from the life of the Buddha , although very little decoration from the Mauryan period survives, and there may not have been much in the first place. There is more from various early sites of Indian rock-cut architecture. The most famous survivals are the large animals surmounting several of the Pillars of Ashoka , which showed a confident and boldly mature style and craft and first of its kind iron casting without rust until date, which was in use by vedic people in rural areas of the country, though we have very few remains showing its development.
Statuettes of the Mauryan era Many small popular terracotta figurines are recovered in archaeology, in a range of often vigorous if somewhat crude styles. Both animals and human figures, usually females presumed to be deities, are found.
Stupas were surrounded by ceremonial fences with four profusely carved toranas or ornamental gateways facing the cardinal directions.
These are in stone, though clearly adopting forms developed in wood. They and the walls of the stupa itself can be heavily decorated with reliefs, mostly illustrating the lives of the Buddha.
Gradually life-size figures were sculpted, initially in deep relief, but then free-standing. The caves at Ajanta , Karle , Bhaja and elsewhere contain early sculpture, often outnumbered by later works such as iconic figures of the Buddha and bodhisattvas , which are not found before CE at the least. Buddhism developed an increasing emphasis on statues of the Buddha, which was greatly influenced by Hindu and Jain religious figurative art, The figures of this period which were also influenced by the Greco-Buddhist art of the centuries after the defeat of Alexander the Great.
As the title says, it is a concise history. Very superficially covered. Particularly disappointing is the absence of Natraja, an icon of Shiva and an inspiration for classical Indian dance.
However, I recommend this book or people having no background in Indian art and history. It is a good starting point for them. Mar 19, Ellis rated it liked it Shelves: Easy to understand and rather informative.
I love a book with a good index and glossary which was essential for knowing the terms for Indian art. I wish more historical and religious background had been provided. Clearly a knowledgeable author and scholar, though a bit dry at times. Focuses on very early periods of Indian art.
Good bibliography. Sheikh Tajamul rated it really liked it Mar 03, Mary Cat Gill rated it liked it Nov 13, Nate Marcel rated it really liked it Apr 18, Vika rated it really liked it May 12, Apr 23, Raj Sha added it. Julian Dones rated it it was amazing Apr 07, Vita rated it liked it Oct 02, Sarah rated it liked it Jan 01, Kathy rated it liked it Aug 18, Megan rated it liked it Apr 17, Indranil Banerjie rated it liked it Aug 30, Mahati rated it it was ok Jan 27, Aisha Saqib rated it really liked it Nov 14, Heather T rated it it was ok Feb 06, Tang Yiwen rated it it was amazing Sep 09, Ab rated it really liked it Aug 24, Terri rated it it was amazing Sep 02, Nannai rated it it was amazing Aug 22, John rated it liked it Sep 03, Velvetink rated it liked it Mar 24, Canby, Iria Candela, John T.
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Little, Mark P. Mertens, J. Wolohojian, and Sylvia Yount. Behrendt, Kurt A. Tibet and India: Buddhist Traditions and Transformations.
Brown, Sally B. Campbell, Thomas P. New York: Metropolitan Museum of Art, Capistrano-Baker, Florina H. Schub, and Priscilla Tucker.
The Metropolitan Museum of Art Bulletin, v. Chow, Fong, Elizabeth K. Grancsay, Morrison H. Chow, Fong.