Date published 


Orlando. Virginia Woolf. TO V. SACKVILLE-WEST. This web edition published by [email protected] Last updated Wednesday, July 15, at A Project Gutenberg of Australia eBook. Title: Orlando. Author: Virginia Woolf. eBook No.: txt. Edition: 1. Language: English. Character set encoding. Free PDF, epub, Kindle ebook. By Virginia Woolf. Orlando: A Biography is a high- spirited romp inspired by the tumultuous family history of Woolf's close friend.

Language:English, Spanish, Japanese
Genre:Personal Growth
Published (Last):04.08.2016
Distribution:Free* [*Registration needed]
Uploaded by: GERTUDE

71999 downloads 118312 Views 38.72MB PDF Size Report

Orlando Woolf Pdf

Title: Orlando Author: Virginia Woolf * A Project Gutenberg of Australia eBook * eBook No.: txt Language: English Date first posted: April Date. Virginia Woolf (). One: Re-staging / re-thinking: The ever-shifting course of Orlando's experiences gains some structure by various repetitions, such as the. One More Library - Free online ebooks in pdf, epub, kindle and other formats. Orlando: A Biography Virginia Woolf - Вирджиния Вулф - فرجينيا وولف.

Sinclair Lewis Excerpt: He — for there could be no doubt of his sex, though the fashion of the time did something to disguise it — was in the act of slicing at the head of a Moor which swung from the rafters. It was the colour of an old football, and more or less the shape of one, save for the sunken cheeks and a strand or two of coarse, dry hair, like the hair on a cocoanut. So too would Orlando, he vowed. But since he was sixteen only, and too young to ride with them in Africa or France, he would steal away from his mother and the peacocks in the garden and go to his attic room and there lunge and plunge and slice the air with his blade. Sometimes he cut the cord so that the skull bumped on the floor and he had to string it up again, fastening it with some chivalry almost out of reach so that his enemy grinned at him through shrunk, black lips triumphantly. The skull swung to and fro, for the house, at the top of which he lived, was so vast that there seemed trapped in it the wind itself, blowing this way, blowing that way, winter and summer. The green arras with the hunters on it moved perpetually. His fathers had been noble since they had been at all. They came out of the northern mists wearing coronets on their heads. Were not the bars of darkness in the room, and the yellow pools which chequered the floor, made by the sun falling through the stained glass of a vast coat of arms in the window?

Mikhalskaia N. Puti razvitiia angliiskogo romana — kh godov [Ways of development of the English novel of —s].

Moscow, , p. Moklytsia M. Zhanrova spetsyfika modernistskoho romanu [Genre specifics of a modernist novel].

Orlando: A Biography - Wikipedia

In: Vstup do literaturoznavstva. Lutsk, , pp. Modernizm iak struktura.

Poetyka [Modernism as a structure. Lutsk, , p.

Pitannâ lìteraturoznavstva

Cherkashyna T. Naratyvni osoblyvosti khudozhno-biohrafichnoi prozy : avtor i chytach [Narrative features of a semi-biographical prose: an author and a reader]. Extended abstract of PhD dissertation Literary theory. Ternopil National Pedagogical University.

A more candid, sullen face it would be impossible to find. Happy the mother who bears, happier still the biographer who records the life of such a one! Never need she vex herself, nor he invoke the help of novelist or poet. From deed to deed, from glory to glory, from office to office he must go, his scribe following after, till they reach whatever seat it may be that is the height of their desire. Orlando, to look at, was cut out precisely for some such career. The red of the cheeks was covered with peach down; the down on the lips was only a little thicker than the down on the cheeks.

The lips themselves were short and slightly drawn back over teeth of an exquisite and almond whiteness. Nothing disturbed the arrowy nose in its short, tense flight; the hair was dark, the ears small, and fitted closely to the head.

I. Introduction

But, alas, that these catalogues of youthful beauty cannot end without mentioning forehead and eyes. Alas, that people are seldom born devoid of all three; for directly we glance at Orlando standing by the window, we must admit that he had eyes like drenched violets, so large that the water seemed to have brimmed in them and widened them; and a brow like the swelling of a marble dome pressed between the two blank medallions which were his temples.

Directly we glance at eyes and forehead, thus do we rhapsodize.

Directly we glance at eyes and forehead, we have to admit a thousand disagreeables which it is the aim of every good biographer to ignore.

Soon he had covered ten pages and more with poetry.

Orlando: A Biography

He was fluent, evidently, but he was abstract. Vice, Crime, Misery were the personages of his drama; there were Kings and Queens of impossible territories; horrid plots confounded them; noble sentiments suffused them; there was never a word said as he himself would have said it, but all was turned with a fluency and sweetness which, considering his age — he was not yet seventeen — and that the sixteenth century had still some years of its course to run, were remarkable enough.

At last, however, he came to a halt. He was describing, as all young poets are for ever describing, nature, and in order to match the shade of green precisely he looked and here he showed more audacity than most at the thing itself, which happened to be a laurel bush growing beneath the window. After that, of course, he could write no more. Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces.

The shade of green Orlando now saw spoilt his rhyme and split his metre. Moreover, nature has tricks of her own. For Orlando was a trifle clumsy.