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Improves reading, listening and comprehension skills — guaranteed! ION de Liviu Rebreanu. Ion-Liviu Rebreanu Eseu structurat - ro. Ion de L. Romanul este impartit in 13 capitole,fiecare cu un nume sugestiv. Capitolul 1:Inceputul Naratorul descrie o zi de vara in satul Pripas. Marturisirea lui Ion ca invatatorul i-a scris jalba determina conflictul celui din urma cu autoritatile austro-ungare si problemele sale de constiinta nationala.
Accepta inutil compromisul, votandu-l pe Alchimie de Marin Sorescu. Baltagul de Mihail Sadoveanu. De demult Misinterpreting Joyce and Beyond. Arleen Ionescu. Inter-war Romania: Eliot to hail it as a masterpiece. Romanian novelists were rather reluctant to experiment with the novelistic form they had instead adapted new techniques drawn from French literature , and most of them lacked the minimal knowledge of English that would have enabled them to read Joyce's work in the original.
Much of what was written on Joyce was based on hearsay and on French reviews, rather than on the direct experience of the Joycean text.
Before they ever read U, most critics simply reproduced critical stereotypes and commonplace assessments about the novel's porno- graphic portent or its modernist allegiances. No wonder, then, that some critics were in the first place interested in coun- tering allegations that U was 'pornographic'.
Felix Aderca tried to exonerate Joyce by arguing that many famous writers had been unfairly accused of writ- ing pornography , 6. Dinu Gheorghe comments on the theme of prostitution in the literary tradition that Joyce alludes to, and in a study dedi- cated to Giovanni Papini against immorality in art.
Negoita dis- cusses the problem of decadence from Baudelaire to Joyce. Nevertheless, a few serious studies ofJoyce's work showed a real interest in analysing and interpreting the vagaries of a mind sensitive to all scents, sounds and colours. Andrei Tudor considered Joyce a writer who uses introspection and who was compared to Svevo and Proust , In the first article on Joyce published in Romania, Cezar Petrescu considered U a novel 'that is a symbol of the modern epic', 1 although he later wrote that writers should give up a metaphoric style and become promoters of realism b, 3.
Inter- War Ronia: Misinterpreting]oyce and Beyond The reality was that in the s most studies devoted to modernism and the novelty ofJoyce's work were either translated or adapted from foreign maga- zines: Fundoianu B. If critics were not paraphrasing, they struggled, posi- tively or negatively, with Joyce's stylistic artistry.
The playwright and critic Mihail Sebastian wrote that 'James Joyce's art is a drama of great inner vision, whose sense resides in the quest of its meanings'. Sodom and Gomorrah. Critics have realized that Molly is not a symbol of infidel- ity and the sexual connotations tracked by Boz do not appear as such in the novel. However, despite the 'pornographic' images he found in Joyce, he recommended the book for its minute structural designs to his Romanian readers: For Biberi, U represented 'the most remarkable poetic experience of the age'.
Biberi returned to the Irish novelist thirty years later in an essay on the interior monologue in Joyce in which he characterized the stylistic achievement in U as follows: His novel Proces The trial presents the life of the main character Alexandru Padql as a stream never the same.
The book contains Padq' interior monologue with a dynamic blending of psychic states. The hero, who is accused of a murder he did not commit, is a chameleonic character who desperately tries to save him- self from prison. Yet, since he has no proper alibi, he is quite certain that the lack of evidence makes him the most plausible culprit. Just as in Joyce's U, each.
Pompiliu Constantinescu saw Biberi's novel as a Baedeker Joyce, small enough to fit in a reader's pocket and simulate the depth of Joy'Ce's book. His review of Proces was an occasion to write about James Joyce's interior 'dia- logue'.
It is not clear why Constantinescu used the term dialogue instead of mork"- logue; it is obviously not an error, because he shows that he has read Biberi's own essay on the interior monologue in Joyce. Inter- War RaJmania: Misinterpreting joyce and Beyond X should be praised for the novel's internal intricacy, its obscurity and its shift.
It seems that on a first reading of U, the attention of most Romanian com- mentators most of whom read it in French was somewhat impaired by the n.: It was only on a second reading that: Lawrence's Lady Owtterley's Lover.
Between the wars translations ofJoyce's works into Romanian were scarce. Francophone by nature and by education, Romanian intel- lectuals were naturally more interested in French literature.
This is why Joyce c. The story 'Eveline' was the first to be rendered mto Romanian, in two versions by the yet-to-be-identified A. Joyce a. Joyce , together with some fragments from U by Al. Philippide Joyce b and I. Holzman Joyce c. An attempt to translate a section from FW appeared anonymously in Cuvantul The word , and was accompanied by a few critical remarks on ALP. Apart from the occasional articles published in magazines, there were vir- rually no scholarly books, or chapters in books, dealing exclusively with Joyce.
Marcu Beza's Romanul englez contemporan The English contemporary novel includes a chapter on Dorothy Richardson and Virginia Woolf, who are dubbed typically modernist writers. Turning to U, Beza mentions that Joyce 'tried to convey the fragments of thoughts and impressions of a Jew from Dublin, Leopold Bloom, in a temporal interval of about twenty hours, thoughts which go beyond the limits of conscience'.
In his course of English literature, Curs de engleza: Petrescu was a celebrated Romanian novelist and critic who had earlier defended Proust in Romania.
Petrescu understood that the stream of conscious- ness offered the possibility to foreground the characters' subjectivity and he dis- cussed Bergson's ideas as Proust had assimilated them. However, the European reputation of U failed to impress him, and he was rather intrigued that the Nou- velle Revue Fram;aise, which had launched Proust in France, considered Joyce's work valuable too. Petrescu programmatically rejected U because of its alleged use of 'the naturalist device, the lack of merit of the material, the continuous present which cannot sustain the interest of a work of art'.
What these critics failed to understand was that language must be regenerated to become an anti-language which saves the linguistic matter and makes it uncommon. Mercanton,Jacques 'Hodiny sJamesemJoycem', trans. Pound, Ezra 'Z kordpondencie E. Pound -]. Joyce ', trans. Prochazka, Martin 'Regionalni kontext modernistickeho romanu: Anglicka litera- iura Rybarova, Viera 'Zrele dielo mladeho umelca', Romboid [Bratislava], Stnbrny, Zdenek Dfjiny anglicke literatury, 2 vols, Prague: