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Latin American literature was, to a greater or lesser degree, linked to the ups and downs of national politics -although also regional and international- during the twentieth and twenty- first centuries. In general, Latin American literature was inclined towards the political left and social demands, and despite the diverse styles and approaches -realist, magic realist, modernist, surrealist, etc- the militant burden did not diminish but progressively increased a symbolic-social centrality.
With the beginning of the 21st century, Latin American literature lost part of its traditional claims and transformed them into new and current ones denouncing violence and inequalities in the continent.
In particular, this research will offer a compendium of texts that will address this issue by providing two outstanding signs of identity: 1 Its concern to address different areas of Latin America Spanish-speaking Caribbean, Central America, the Andean region, the Southern Cone. It will offers a long time perspective, rich in analysis from different angles political, historical, economic, international relations, sociological.
This book will approach the problem of the relations between violence and ideology in contemporary Latin America from a global geographical perspective, bringing together in a single volume the study of literature written in Spanish.
It will also be suitable for use as a textbook in courses on contemporary Latin American literature. The work will propose a new approach to "militant" literature. Continuing along the lines of the great compilations of research on the literature of the continent, it will give an overview of new trends and reinterpret those "canonical" visions from interesting and novel positions from authors with different backgrounds.
It will be an important work of reference and necessarily used for research on Latin American literature. The depth of the interwoven literary relationships that formed after the Cuban Revolution will be assessed in an attempt to place the figure of the revolutionary intellectual at the centre of the continental cultural field and better understand the dialogue that took place between politics, ideology and artistic creation.
The violent political phenomena of the 20th century all have their counterparts in literature: there are novels of the Mexican Revolution, of the dictatorship, of the guerrilla, of violence in Colombia, Cuba and Venezuela , of the struggles of indigenous peoples, as well as literary reactions to specific violent eruptions such as the Night of Tlatelolco.
However, violent phenomena of the past have often entered the literary imagination many years after the events have passed with the emergence of the so-called new historical novel of recent decades.
This suggests that Latin American political and literary events did not always go hand in hand. Furthermore, the political and social situations of the various countries of the continent have never been the same at any given time. During the Mexican Revolution, Argentina experienced a peaceful civic period and when the countries of the Southern Cone suffered from military dictatorships in the s and s, political violence in Mexico had settled.
These events did not leave any of the most representative writers of the moment indifferent. Many Latin American literary groups and writers were influenced during the s and s by the phenomenon provoked by the Cuban revolution and the various dictatorships that grew up in its wake.
These writers attempted to rethink the space of literature andits relationship with reality, a task which required the discovery of entirely new approaches to creative writing. The political tension in that country after the military coup of made the existence of the group untenable. Between the s and s, members of the current known as "literatura de los hijos" were born. They denounced the silence of the middle classes, their servility towards the elites and their complicity with the dictatorship.
These authors broadened perspective of the Latin American novel beyond the common themes nature, the indigenous and other common themes of the realist novels that were prevalent at the time.
In the s the literature of the region reflected socio-political debate and the way in which it was formulated as a social phenomenon. Literature appeared as an ideological construction establishing a symbolic space.
These were the boom years of Latin American literature, represented above all by the Magical Realist current that was so important in the consolidation of a distinct regional literary identity.
This current showed a stylistic interest in showing the unreal or strange as something everyday and common in order to create an emotionally resonant literary experience through the blending of fantasy, superstition, popular culture and religious beliefs..
Although the style was born in the s, its influence extended into the s, existing alongside dictatorships that regarded alternative, radical forms of cultural expression with unease or opposition. A similar approach can be found in Mario Vargas Llosa's La ciudad y los perros , in which a panorama of national life is given, concentrated on what happens in a military school. An almost identical mode also emerged in Buenos Aires with Juan Gelman and his politically committed poetry.
Furthermore, in Bolivia in the s an equally rich and varied generation of writers emerged whose works are also characterised by their concern for social issues.
Their position is critical to understanding the face of politics and the chaos of the cities at the time. Furthermore, at the end of the 's, certain Cuban writers living abroad published a series of major works such as Tres tristes tigres by Guillermo Cabrera Infante; El mundo alucinante by Reinaldo Arenas andDe donde son los cantantes by Severo Sarduy.